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31 Jan 2003
Sound of Southern Gospel - Feb 2003
![]() In the Beginning…. Reader Comments
Is not better to use same mics, when it comes to feedback? If you have all different mics it may give you problems in setting room eq. I would think that your channel eq, if you have a nice board would solve the problem of hot freq. on paticular singers? Just a thought, would love to have a response back!
Commented by On 02/04/2003
From a singer's point of view: USING THE SAME MIC FOR THE TOP THREE VOCAL IN A QUARTET, i.e. SM 94 SHURE WITH WINDSCREEN OR GOOD DYNAMIC MIC i.e. E 835 SENNHEISER OR EQUAL, WITH CHANNEL EQ AT FLAT POSITION MAKES THESE VOICES
SOUND NATURAL IN MOST CASES. BASS SINGERS AS A RULE USE A CONDENSOR i.e.( SM 81 SHURE W/ WINDSCREEN)MIC FOR VOLUME & PUNCH BACKING OFF THE LO EQ ON THE CHANNEL WILL CLEAN UP ANY MUD IF BASS VOICE IS REAL HEAVY. THANKS FOR LETTING ME VOICE AN OPINION
Commented by On 02/04/2003
Some of the biggest problems that I have seen in live settings are the improper use of the boards. Most people think that you turn up the trim or gain input as high as possible and then run the faders up to increase the volume. The proper procedure is almost reverse of that. Every board should have a 0 zero or unity gain position for the faders. The trim/input (usually the top knob on a board) should be turned to the lowest setting. With the fader at the unity gain/zero position you then slowly turn the trim/input knob until you are on the edge of feedback. Then back it up a little. You will still have headroom on your individual faders as you move the entire sound up with the master fader. EQ and mic selection then become personal choice instead of trying to fix a simple problem with a high cost solution. This simple procedure could have saved many a concert that I have attended. High Frequencies from overdriven mic pres will drive any one crazy.
Commented by On 02/21/2003
I AM AN ARTIST/SONGWRITER TRAVELING NATIONALLY LIFTING UP JESUS IN SONG AND TESTIMONY.PLEASE KEEP ME IN YOUR PRAYERS.
Commented by On 03/28/2003
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Sound of Southern Gospel - Feb 2003
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